from: Decca
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Binding: Audio CDEAN: 0028942104921
Format: Box set
Label: Decca
Manufacturer: Decca
Number Of Discs: 2
Publisher: Decca
Release Date: August 05, 1987
Running Time: 110 minutes
Sales Rank: 2537
Studio: Decca
Disc 1:
- "Questo Mar Rosso" - Rolando Panerai, Luciano Pavarotti, Nicolai Ghiaurov, Berliner Philharmoniker, Herbert von Karajan
- Pensier profondo" - Nicolai Ghiaurov, Rolando Panerai, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
- "Abasso, abbasso l'autor!" - Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan
- "Si può" - "Chi è là ?" - Michel Sénéchal, Rolando Panerai, Luciano Pavarotti, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan
- "Io resto" - Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan
- "Chi è là ?" - Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
- "Si sente meglio?" - Luciano Pavarotti, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan
- "Che gelida manina" - Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
- "Sì. Mi chiamano Mimì" - Mirella Freni, Berliner Philharmoniker, Herbert von Karajan
- "O soave fanciulla" - Luciano Pavarotti, Mirella Freni, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan
- "Arranci, datteri!" - Rolando Panerai, Gianni Maffeo, Luciano Pavarotti, Mirella Freni, Schonberger Sangerknaben, Chorus Master Gerhart Hellwig, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan
- "Chi guardi?" - "Ecco i giocattoli di Parpignol" - Luciano Pavarotti, Nicolai Ghiaurov, Mirella Freni, Gianni Maffeo, Gernot Pietsch, Schonberger Sangerknaben, Chorus Master Gerhart Hellwig, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan
- "Viva Parpignol..." - "Una cuffietta a pizzi" - Rolando Panerai, Mirella Freni, Gianni Maffeo, Nicolai Ghiaurov, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
- "Beviam!" - Luciano Pavarotti, Gianni Maffeo, Nicolai Ghiaurov, Rolando Panerai, Michel Sénéchal, Elizabeth Harwood, Schonberger Sangerknaben, Chorus Master Gerhart Hellwig, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan
- "Quando m'en vo'" (Musetta's Waltz) - Elizabeth Harwood, Michel Sénéchal, Mirella Freni, Luciano Pavarotti, Nicolai Ghiaurov, Rolando Panerai, Gianni Maffeo, Schonberger Sangerknaben, Chorus Master Gerhart Hellwig, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan
- "Caro!" - "Fuori il danaro!" - Nicolai Ghiaurov, Gianni Maffeo, Luciano Pavarotti, Rolando Panerai, Elizabeth Harwood, Schonberger Sangerknaben, Chorus Master Gerhart Hellwig, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan
- "Ohè, là , le guardie!" - "Aprite!" - Hans-Dietrich Pohl, Elizabeth Harwood, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan
- "Sa dirmi, scusi" - Mirella Freni, Hans-Dieter Appell, Hans-Dietrich Pohl, Berliner Philharmoniker, Herbert von Karajan
- "Mimì!" - "Rodolfo m'ama e mi fugge" - Rolando Panerai, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan
- "Marcello. Finalmente!" - Luciano Pavarotti, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan
- "Mimì è una civetta" - Luciano Pavarotti, Rolando Panerai, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan
- "Mimì è tanto malata!" - Luciano Pavarotti, Mirella Freni, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan
- "Donde lieta uscì" - Mirella Freni, Berliner Philharmoniker, Herbert von Karajan
- "Dunque: è proprio finita!...Addio, dolce svegliare" - Luciano Pavarotti, Mirella Freni, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan
- "In un coupé?" - Rolando Panerai, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
- "O Mimì, tu più non torni" (Duetto) - "Che ora sia" - Luciano Pavarotti, Rolando Panerai, Gianni Maffeo, Nicolai Ghiaurov, Berliner Philharmoniker, Herbert von Karajan
- "Gavotta" - Nicolai Ghiaurov, Rolando Panerai, Gianni Maffeo, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
- "C'è Mimì..." - Elizabeth Harwood, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan
- "Vecchia zimarra, senti" - Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan
- "Sono andati" - Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
- "Oh Dio! Mimì!" - Gianni Maffeo, Mirella Freni, Luciano Pavarotti, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan
- Puccini: Turandot
- Verdi - La Traviata / Sutherland, Pavarotti, Manuguerra, NPO, Bonynge
- Puccini: Madama Butterfly
- Verdi: Rigoletto
- Puccini: Tosca
- see more
Editorial Review:
Amazon.co.uk Review:
From the exquisite phrasing of the opening orchestra, this recording establishes itself as the standard by which all others should be measured. Herbert von Karajan's orchestra is no less than perfect, as much a virtuostic performer as the singers, evoking each moment's unique mood. Can there be any doubt that Luciano Pavarotti and Mirella Freni were born to sing Puccini? Their sweet, creamy voices splendidly blend, creating a complete aural portrait of the bohemians' souls. Elizabeth Harwood is a wonderfully high-strung Musetta, with the vocal talent to support her many moods. The greatest recording ever of the world's most beloved opera. --Barbara Eisner Bayer
Average Rating: 

Rating:
- One of the two best recordingsIn a recent BBC3 "CD Review" broadcast, Alexandra Wilson made a gallant attempt to achieve the impossible task of choosing amongst forty or so recordings of "La Boheme" - and while I agreed with her ultimate choice of the Beecham recording with Bjorling, Merrill and De Los Angeles, I have rather more regard for this discarded Karajan recording simply because Pavarotti's voice, in its prime, as she herself put it, "runs through the recording like a golden seam". The rest of the cast is wonderful, ... Read More
Rating:
- Powerful PucciniSumptuously recorded and sung, this is a beautiful set, to be sure, and gives great pleasure.
But - and there is one - it's almost too gradiose under Karajan's flamboyant baton, to the extent that the intimacy and tenderness are sometimes overwhelmed by the richness of it all. It's a subtle thing, but this is just a fraction over the top for me, a "La Boheme with knobs on". As if to demonstrate this point, listen to the love duet at the end - perfection! Until Pavarotti decides to join ... Read More
Rating:
- The most satisfactory modern recordingRodolfo was the role of Pavarotti's debut in his home town of Modena, and it was one he kept in his repertoire until the mid-nineties. This recording, from 1972, catches him in his prime, at the age of 37, and the voice is ideally poised between lyric and heroic. Long familiarity with the part, his superlative diction and thrillingly easy high notes, combine to make him the most completely satisfying Rodolfo on record. Bjoerling comes close with Beecham (EMI), but the voice lacks italianate bite. ... Read More
Rating:
- The definitive version of Puccini's finest work.Before this recording Boheme was Boheme but, the combination of Pavarotti and Freni are just perfect for Puccini's masterpiece. Together with a first class supporting cast their voices are perfection. If Puccini himself could have heard these two together he would have said "that is what I intended." Therefore this must be the definitive version of Puccini's masterpiece.
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